Seule dans la forêt by Germaine Tailleferre (1892-1983)
Vöglein by Edvard Grieg (1843-1907)
Forest Bird by Katherine Hoover (1937-2018)
A Hermit Thrush at Morn by Amy Beach (1867-1944)
Visions of Dunbar by Robert Schultz (b. 1948)
Children of Light, No. 5 by Karen Tanaka (b. 1961)
Galapagos Land Iguana
Tides of Manaunaun by Henry Cowell (1897-1965)
Water Dance III by Karen Tanaka (b. 1961)
Meditation Prelude No. 4: Cumulus Humilus by Patrick Burke (b. 1974)
Sounds of a Fjord for piano and electronics by Kaja Bjørntvedt (b. 1981)
Pole Mountain Suite by Bonnie McLarty (b. 1983)
I. First Light
II. Old Happy Jack Trail
III. Mountain Stream
IV. Autumn Sky: Fog, Sunbreak, Last Light
Mirage by Elisenda Fábregas (b. 1955)
Rhythms of the North Country by Gwyneth Walker (b. 1947)
Katherine Hoover was a NYC-based American composer who is perhaps best known for compositions written for her own instrument, the flute. No doubt in part due to her interest in extended techniques on the flute, she found ways to express musical ideas through unconventional sounds and harmonies.
Forest Bird evokes not a stylized and romanticized version of a bird such as we hear in Edvard Grieg’s Vöglein, but rather a more realist approach with attempts to express the actual sounds of a forest replete with a variety of creatures and rustling foliage.
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